![Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_v50vZcY8U-scy787hPdXRemjHs3FQD1AY8OSxWeaua1CIqlr3mobLGaOlyjdm8f-ajgQ2ozhMbOTiC-KzvcWsStcxkVoOxB8WS4xcLyyeMJoDWmAICD1LGKECfC_uo2sPmnkSMiYdMC-tUCb55Lr-URAkop1Pc6gxaSjnVhzQFkBKMM1Y8tcTZI5vr2XbAjOzMYK1qJ8OspCcmvil8hgsBhGvZ1n-ynFNcCwmMrCkR5zjdsNYbqcsY7E0MkcCfj4MwVy4Zpbe5NePWUkk0uzIDTA=s0-d)
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Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] Detail
Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most mentioned books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it really end just how you planned it from the beginning?
A: Very much so. While Some know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process.
Q: We understand you worked around the initial screenplay for the film to be based on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?
A: There were several significant differences. Time, for starters. When you are adapting a novel right into a two-hour movie you cannot take everything with you. The story has to be condensed to suit the new form. Then you have the question of methods best to adopt a magazine told inside first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and therefore are privy to all or any of her thoughts so you may need a way to dramatize her inner world and to make it easy for other characters to exist outside her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A great deal of the situation is acceptable over a page that would not be over a screen. So how certain moments are depicted will ultimately be in the director's hands.
Q: Have you been able to consider future projects while working on The Hunger Games, or are you immersed inside world you eventually be currently creating so fully it is simply too difficult to consider new ideas?
A: I have a few seeds of ideas boating within my head but--given a great deal of of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges i can begin to develop it.
Q: The Hunger Games is an annual televised event by which one boy then one girl from each with the twelve districts is instructed to participate in a fight-to-the-death on live TV. What can you think the appeal of reality television is--to both kids and adults?
A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, in order that whenever they see real tragedy playing out on, say, the news, this doesn't happen hold the impact it should.
Q: In case you were forced to compete inside the Hunger Games, so what can you think that your personal skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I utilized to be trained in sword-fighting, I guess my best hope will be to obtain hold of your rapier if there was one available. But the truth is I'd probably get with relation to its a four in Training.
Q: What would you hope readers should come away with when they read The Hunger Games trilogy?
A: Questions about how elements in the books could be relevant within their own lives. And, if they are disturbing, what they might do about them.
Q: What were some of your respective favorite novels when you are a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but now it is for world control. While it is a clever twist about the original plot, it indicates that there's less focus about the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and also at her own motives and choices. This is definitely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and a great deal of confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each of the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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